Cap Film and Animation building

Cap Film and Animation building

Tuesday 26 November 2013

Filmmaker Gifts Under $50

The season is upon us … again.
And we are being asked, ‘What do you want for Christmas?’ Assuming that the people who ask are not willing to drop $1G, we have to tell them something specific. Since they know we’re into film, it would make them feel good knowing that they are buying something that interests us.
We also have to buy gifts for our film friends. What to buy that is affordable? (Emphasis on affordable.)
So here is the first annual Capilano blog Christmas gift list for under $50.

MovieSlate for $25

This digital version of the classic movie slate is also a clapper board, shot log, and notepad. The shot log is searchable, and the app can be remotely controlled via another iOS device. Simple iTunes card will do it.

Coffee Mug Lens
Your photographer friends will gasp in horror when they catch sight of this quirky Camera Lens Mug. At first glance it might seem that you've ripped apart a perfectly good telephoto lens, then filled it with your hot beverage of choice. Of course this type of heinous disregard for expensive photography equipment would be sacrilege... to a cup of good coffee. Available everywhere. 



Kogeto Dot Panoramic Video Accessory for Iphone 4/4S camera adapter.
Along with the Dot add-on lens, the Looker iPhone app is needed to shoot, de-warp and upload videos to Facebook, Twitter, and Kogeto.com.
The Dot shoots in panoramic mode, but the video looks like a swirling black hole until you de-warp it. Processing the video into watchable video takes a couple minutes. Dot shoots in 360 degrees but has a bit of an audio lag. Available at the Apple Store for approx $79 with the Looker app free to download. Okay, a little over the $50 budget.
Who would like this: Experimental filmmakers who like to try new styles of visual to enhance their stories.


+/OR

A Telescope 8x Zoom Telephoto lens and legs for an Iphone.





FILMMAKER Magazine Subscription 

This great quarterly magazine is on sale until Xmas — get one year for $10 or two years for $18. The digital subscription is just $6, which is a ridiculous bargain, especially considering magazine subscriptions make for great gifts: every time an issue shows up the recipient thinks of you. Plus the first 200 subscribers get a free copy of one of the other gifts on this list, and everyone’s entered into a drawing for other bonuses as well. FILMMAKER is an indispensable part of my life, and if you’re in (or want to be in) independent film it should be part of yours too. $6/$10/$18.



Memory Cards.
You can never have too many memory cards. Sometimes you just get lazy. Stay within the 8GB to 16GB range. For video, Class 10 is recommended, though Class 6 will be OK if you want to save money. Get as big a card as fits your budget. 



Gorillapod Video Tripod 
Allows you to attach small cameras to almost anything using the flexible but strong legs, but it has a pan/tilt head with a handle. $20.



Lens brush and pen.
Modestly priced at $8. Anybody on the receiving end of this gift is bound to get their money’s worth. With a brush at one end and a carbon fiber tip at the other, it’s a powerful lens cleaning tool crammed into a handy pen size container.
Perfect for lenses and also any delicate glass like filters, monitors, and more. You could even buy two to have one as a backup.
Itunes gift cards.



Make a T-shirt or Business cards.

 


"The Converstaions” Walter Murch and the Art of Editing Film

The Conversations is a treasure, essential for any lover or student of film, and a rare, intimate glimpse into the worlds of two accomplished artists who share a great passion for film and storytelling, and whose knowledge and love of the crafts of writing and film shine through.



 What do you suggest? Share a link.

Thursday 7 November 2013

Cap Students take Best Student Production at Leo Awards


Last spring Jon Anctil and Malcolm Oliver took 'Best Student Production' at the 2013 Leo Awards, an awards gala that acknowledges achievements in filmmaking in British Columbia. Cap faculty and students are regularly nominated and win in a variety of categories. Dianne Neufeld was one of the founding members of the award and has received a Lifetime Achievement Leo.

Here is an interview conducted with Jon about his experience:

Cap: Award aside, what is the value to participating or submitting your film to the Leo's?

Jon: It’s said that it’s always an honour just to be nominated, let alone win, and so I felt greatly honoured to be awarded the Leo for Best Student Production for “Marathon”, along with my producer Malcolm Oliver. But what makes the Leo Awards extra special is that everyone involved (organizers, jurors, nominees) are all a part of this great BC film community we have here, and so a nomination is a validation not from some anonymous, distant jury but from your friends, co-workers, peers, and mentors. To be selected and honoured by these people is an incredibly wonderful and humbling experience. 

Cap: You could use some humility, the way you carry that trophy around with you. But credit to you because your project was ambitious. I doubt the Leo Awards have ever had a 3D submission for Best Student Production.

Jon: I'm extremely proud of “Marathon." But it was a race to the finish. It was part of many firsts for myself and the Film Centre. It was the first year of the 4 year Bachelor of Motion Picture Arts degree, the first year in the new Nat and Flora Bosa Film building, the first student stereoscopic 3D film done at Cap, my first science fiction film, and my first film with a significant number of visual effects. The 3D hardware and software was so new that we were often figuring things out as we went - there simply wasn’t any precedent to follow. The entire process was probably a three way split between research, practice, and crossed fingers. After shooting in 3D, I had to edit in 3D, then do the visual effects in 3D. Adding the extra dimension isn’t double the work, as you’d guess, but more like 10 times the work. But in the end, I think it’s fair to say that all the effort was worth it.

Cap: You get to keep the trophy but I'm sure that you want to thank people. Go ahead, name names.

Jon: None of it would have been possible if it weren’t for the tireless support and encouragement of all the staff and faculty at the Film Centre. It’s very hard to make a good short film, let alone a good 3D short film, and honestly there were a few moments where I debated pulling the plug, but there was always someone to give me a friendly kick in the butt to keep moving, or some helpful advice to get around yet another technical hurdle. I’d like to say a special thanks to James Wallace, Julian Bruce, and Tim Laks for their technical support and expertise with the 3D camera systems and post production, and Bill Thumm and Murray Stiller for their undying support and encouragement, as well as their reminders that as neat as the technology is, the heart and story have to come first.

Cap: Nice. Now they'll hit you up to do 3D seminars. You know how they can be. So when they do, what lesson will you pass on to future student projects?

Jon: Looking back, the most important lesson I take away from this whole experience is that you should always strive to push beyond your boundaries and take advantage of new challenges, no matter what you think the outcome might be. I definitely bit off more than I could chew with this project, and when I decided to shoot 3D, I had no idea how to actually do that. But I was staring at a studio full of 3D equipment and figured, “Well, it’s here. What’s the worst that could happen?” And instead of ending with the worst outcome, I wound up with one of the best.

Cap: Thanks Jon. Now put that trophy away. You're going to poke someone in the eye with it.